The Wager

Authors

  • Christopher Cherniak

DOI:

https://doi.org/10.1609/aimag.v7i3.552

Abstract

The Portrait Programs Project grew out of hyperinterdisciplinarianism of the famed Gigabase Sculpture Group, in turn stimulated by recent cutbacks in government support for the arts. The National Endowment for the Humanities and the National Science Foundation had jointly funded the Gigabase Sculpture Project to foster the literary/musical genre of composing genetic codes for novel organisms. Later, artists trained in recombinant DNA technology designed massive Brancusi-esque statues of living cytoplasmic jelly. However, Art For Art's Sake objectives of these giblet sculptors were compromised by precautions necessary after discovery of the "Gogol's-Theorem Bomb" that threatened to get loose and jam all DNA replication in the biosphere; not even viruses would have survived.

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Published

1986-07-30

How to Cite

Cherniak, C. (1986). The Wager. AI Magazine, 7(3), 120. https://doi.org/10.1609/aimag.v7i3.552

Issue

Vol. 7 No. 3: Fall 1986

Section

Articles

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