Gender Bias and Sonic Gender Performance in AI-Generated Music: Representation, Expression, and Perception

Authors

  • Minyeong Bae Ewha Womans University
  • Hyunjae Kim Korea Advanced Institute of Science and Technology (KAIST)
  • Kyung Myun Lee Korea Advanced Institute of Science and Technology (KAIST)

DOI:

https://doi.org/10.1609/aies.v9i1.43142

Abstract

Gender bias in generative AI has typically been studied in text and image domains, but music-generating AI poses a different challenge: in music, gender can be expressed through sound, style, genre, and multimodal presentation as well as explicit representation. Through a case study of Suno, this study examines gender bias not only in vocal-gender representation, but also in generated musical expression and listener perception. First, generated vocal music shows a more extreme male-dominant pattern across genres than real-world music metadata. To further examine how gender is musically realized, we generated non-vocal instrumental music using gendered prompts. Gendered bias appeared through distributed stylistic cues, including genre descriptions, title words, cover images, audio features, and symbolic MIDI features. In genre-controlled generations, masculine-prompted outputs were often farther from neutral outputs than feminine-prompted outputs were, suggesting a stronger stylistic distinction for masculinity. Listeners’ gendered impressions were shaped largely by mood and culturally familiar genre associations. Together, these findings suggest that gender bias in music-generating AI appears across multiple layers, involving how music and gender are repeatedly connected, expressed, and perceived throughout generation and listening.

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Published

2026-10-11

How to Cite

Bae, M., Kim, H., & Lee, K. M. (2026). Gender Bias and Sonic Gender Performance in AI-Generated Music: Representation, Expression, and Perception. Proceedings of the AAAI ACM Conference on AI, Ethics, and Society, 9(1), 313–324. https://doi.org/10.1609/aies.v9i1.43142